CHAPITRE VI - Of Auparishtaka or marriage with the mouth.

EUNUCHES AND OTHER PERSONS WHO ARE THE INSTRUMENTS OF THIS UNION (App. N 1).

There are two sorts of eunuches: those who get dressed as men ( people ? ) and those who are been supposed to be for women.

What we make to the women on Jadgana, is made in the mouth of these eunuches; it is called the auparishtaka (App. N 2). It is the means of existence on these eunuches who live as courtesans (App. N°3).

The eunuches who get dressed as men ( people ? ) hide their desires. When they want to give it class ( course ? ), they make masseurs' profession.

An eunuch of this sort pulls ( fires ? ) to him the thighs of the man which he masses ( massages ? ) and gets ( touches ? ) him ( her ? ) the joints of thighs and jadgana.

If he ( it ? ) finds the linga in erection, he ( it ? ) incites him ( it ? ) by the game ( set ? ) of the hand.

If the man, who knows his intention there, does not tell to him ( her ? ) to proceed to the auparishtaka, he ( it ? ) begins of himself ( itself ? ) to toil.

If, on the contrary, the man makes him ( her ? ) the demand, the eunuch appears to take offence at such a proposition, agrees on it and lends himself to it only with difficulty.

He ( It ? ) is then engaged ( surrenders ? ) in eight gradual exercises, but passes from one to another only at request of the man.

1 ° THE NOMINALE. UNION - The eunuch, holding the linga in the hand and the pressing between his lips, prints a movement in his mouth.

2 ° The BITE ON THE CÔTÉS. - The eunuch seizes with the fingers collected as the button of a plant or a flower the end of the linga and he squeezes ( tightens ? ) sides with his lips and even with teeth.

3 ° The SUCTION EXTÉRIEURE. - The eunuch presses the end of the linga with his strongly squeezed ( tightened ? ) lips she ( it ? ) pushes outside by this pressure, and then resumes him ( it ? ) with her ( its ? ) lips and repeats the same game ( set ? ).

4 ° The SUCTION INTÉRIEURE. - The eunuch introduces the linga Into his mouth, presses it with his lips and pulls ( fires ? ) him ( it ? ) outside; then he ( it ? ) resumes him ( it ? ) in his ( its ? ) mouth and so continues.

5 ° The BAISER. - The eunuch, holding the linga in the hand, kisses him ( it ? ) in the way described for the kiss of the lower lip.

6 ° The LÈCHEMENT. - After the kiss, the eunuch gets ( touches ? ) the linga of all the sides with the language and in fawning the end.

7 ° The SUCTION OF THE MANGUE. - The eunuch puts half of the linga in his mouth and sucks him ( it ? ) with force.

8 ° THE AVALEMENT. - The eunuch introduces the whole linga into his mouth and in press the end in the heart of his throat ( breast ? ), as if he wanted to swallow him ( it ? ).

The male domestics sometimes make the auparishtaka to their boss. He ( it ? ) is also practised between close friends.

Some women of the harem, very burning, him ( it ? ) are also made between them, by uniting the mouth with the yoni (it is a mode of the courtship lesbian or Sapphic, the titillation of the clitoris by the language).

Some men ( people ? ) so caress ( cherish ? ) the yoni of the women and make it the same acts and the preciousness as in the kiss of the mouth (App. 4 and 5). In that case, when the woman is knocked down, upside down, towards the feet of the man, this one caresses ( cherishes ? ) the yoni with its mouth and his ( her ? ) language. It is _l'union union of the crow _ (represented in the subterranean temple of Éléphanta).

By passion for this sort of pleasures, courtesans leave generous lovers and possessing good qualities to become attached to slaves and to cornacs (App. 6).

Contrary to the opinion of the former ( ancient ? ) casuists who are more austere, Vatsyayana is of opinion that Auparishtaka is defended ( forbidden ? ) only to the husbands with his women. He adds that, for the practices of the love, we have to obey only in aid of the country and its own taste.

We find this maxim at the Greek philosophers and at those of the XVIIIth century.

« The love, said Zenon, is a free god, having the other function ( office ? ) to fill ( perform ? ) that the union and the harmony. »

« Everything is a woman in what we like, says Lamettrie, the love knows the other borders only those of the pleasure. »

This principle was applied without reserve, as well in the century of big Frédéric as in that of Périclès. Frédéric was supposed to be himself for sodomiste; Catherine of Russia was engaged ( surrendered ? ) in all the depravations and had constantly two well chosen lovers. That as it was not said about the Regent and his ( her ? ) daughters!