CHAPTER V - What takes place when the woman takes the active role.

Certain physical conditions in which is one of the lovers, notably fatigue of the man following efforts prolonged without final crisis (there are men ( people ? ) who stay so infinitely in erection), can determine the woman to take then the active role. Often the love of the change and the curiosity are enough for deciding on him ( it ? ) there.

There are two cases: that or the woman, during the connection, revolves on the man so as to continue the union without interrupting the pleasure; and that where she ( it ? ) takes the position of the man from the beginning of the action.

In this last case, with flowers in her ( its ? ) floating hair, and smiles mixed ( involved ? ) by big sighs, she presses the breast of her lover with her bosoms, and, lowering ( dimming ? ) the head a big number of times, she caresses ( cherishes ? ) him ( it ? ) of all the manners of which he ( it ? ) was in the habit of caressing ( cherishing ? ) her ( it ? ) and of inciting her ( it ? ), by saying to him ( her ? ): « you were my winner ( conqueror ? ), I want, in my tour, make you ask for grace ( favour ? ). »

At intervals, she ( it ? ) will play the shame, the fatigue and the desire to end the connection.

However, besides nine acts appropriate ( clean ? ) for the man she ( it ? ) will still make three following ones.

The PINCES. - She ( It ? ) holds the linga in the yoni, makes it penetrate by a sort of repeated inhalation ( pursuit ? ), squeezes ( tightens ? ) him ( it ? ) and the nurse so for a long time..

The PIVOT. - During the connection, the woman turns around the man as a horizontal wheel around a vertical axis.

The BALANCEMENT. - It is the opposite of the baratement; the man lifts ( raises ? ) the environment ( middle ? ) of his body and the woman prints in the middle of his and in organs engaged ( opened ? ) together a movement oscillatoire and turning (App. N 1).

When the woman is tired, she puts the head on that of her lover and rest so, organs continuing to be united; when she ( it ? ) is rested ( based ? ), the man turns around her and begins again the action (App. _n°2).